Tuesday, February 22, 2011
Custom a Poem for KING JEREMY
When Sovereign grants vestige the favor of habit of will at this impasse in the root of a world within a world is established, hence manifest becomes and a culture embraces the customs whereby set down in the acts of good will of the leader upfront in the beginning given to a cause to establish the destiny of their creation whereon their honor stands to offer to the world beyond them in that worlds customary language and actions.
Patent Cross-Reference to Related Applications
Under CFR 35 Section 1.53 paragraph (d) the amendments herein made in the following Sections shall voluntarily proceed under the same application and publication date as application no. 10/893,096. The inventor shall pursue allowance of patent and foreign application preceding current amendments pertaining to letting the record show that the internal core referenced to earlier in the detailed description of the selfsame application does in point of fact support the steering dimensions of the shape and utility of a River Board to make one final product never before seen save in the inventor's imagination of course. Wherefore the inventor will thankfully better depict the making thereof with drawings and a better description.
Coservative Rebellious Jest a Poem by Jeremy Matthews
Black censured career waiting for me to get out of my way. Seen clear about a mourning star. How did I get here? There was a place I was happy at the land without enemies nor higher ups with trees around the ebb of the river. I want to run away to the place I love as me but what about the others I see tributaries meeting me, I plead there was a place far the hills where the sun did set smile and begot stuff and things like that and other stuff yes definitely yes stuffed allot of everything in that situated at the valley of happiness yes definitely yes for rub creative energies wrong you way above display sun ray ways flowing down the hills near afar from the sand bar marring the happy vessel now then aspect pessimistic piercing the soul hole splashings of conservative conflict wreckage where when ocean thimble knits sun ray mountains over the hills afar for need I create daily to patch the hole and since my services have eyes into truth underneath so see I your boss designs of soul manipulation whereby subscribing dissolution of dreams. You don't own me I have got me own dream and me own plan and its my way wherefore little wheel spin big wheel turn all on the way. A similitude you missed control not what is fixed for I flexible will remain in my services to all I ask is to keep what I had from the start remembering art as it was shone through me from the mountain peeking sun for on a river that flows many hills across uproar thy tributary meeting my work to live, not live to work for black censure no happy days and you will find a good attitude upon the horizon setting passionate work at what you love in manifest else be blacklisted thoughts saying you were looking for a paycheck not a career that sets the sun falling away dead days.
Concert Lighting Requirements
LIGHTING REQUIREMENTS: (a) Rehearsal is to be a minimum of three (3) hours and should include all necessary lighting technicians. All lighting must be set up, and ready prior to rehearsal. In the event additional rehearsal is required, all such rehearsal(s) shall be at the sole cost and expense of the PURCHASER Rehearsal(s) shall commence with band and singers prior to rehearsal. It is understood and agreed that it shall be Purchaser's sole responsibility and expense to insure that all technical requirement herein, including without limitation, those concerning instrumentation and lighting, shall be completed at least thirty (30) minutes prior to the scheduled time of Artist's rehearsal. Any overtime charges resulting from the inability of Artist's personnel to commence rehearsal immediately at the scheduled time due to lack of proper set up by Purchaser or for any other reason beyond the Artist's control shall be solely Purchaser's responsibility. Without limitation of the foregoing, Purchaser shall insure that: (1) All lighting and personnel shall be ready for the use of Artist and Artist's personnel, at rehearsal time as well as at such other times as are designated. (2) PURCHASER agrees to furnish ARTIST, at PURCHASER'S sole cost and expense. All lighting requirements for engagement(s) hereunder. Said requirements include but are not limited to the following: Lighting Requirements: 12 I-Beam moving lights 167PAR MFIs 1000w, 20 PAR 64 NSPs 1000w, 20 PAR 64 250w, ACLs 28v 11 6x9 LEKOS 1000w, 4 6x9 LEKOS w/GOBO SLOT AND HOLDER, 4 3-COLOR PALLAS FLOOR CYC OR EQUIVALENT 1000w, 3 SUPER TROUPER FOLLOW SPOTS WITH 6 COLOR FRAMES AND EXPERIENCED OPERATORS, 21 58 SCR dimmers with the following capacities: 6 12kw, 12 6kw, 10 3 kw, 24 2.4 kw, Computer memory board such as Strand Light Palette or Mini-pallete, kleigel performer II,III,IV, or equivalent. Board must be able to perform two (2) simultaneous cross fades, auto-sequence loops and have programmable sub masters with bump buttons. It should also be able to record cues blind while running a show. Dimmers must be patchable with a (reliable) soft patch preferred. Operators must be experienced in operation and programming COLORS USED-(see dimmer schedule for assignment) 1-100
Monday, February 21, 2011
Concert Stage Area for KIING JEREMY
Minimum size requirements are thirty-two (32') wide x thirty feet (30') deep and a minimum of three feet (3') high. The surface of the stage floor must be smooth finished (no deep grooves, protrusions or crevices) and frictionless (i.e, plywood floor or linoleum covering, no carpet is permitted). One piece of carpet five feet (5') x five feet (5') square is required for use on Drum Riser. A back curtain, white in color and all legs, borders and other masking material will be provided by PURCHASER. Risers to be provided by PURCHASER as requested.
Concert Stage Calls for KING JEREMY
All stage/ technical personnel shall be on call from 9:00 AM on the first day of engagement until conclusion of performance(s) hereunder and thereafter as required unless ARTIST shall advise PURCHASER to the Contrary, in which event all stage/technical personnel be on call for less than six hours prior to show time on the first day of the engagement. The Venue in which shall be made available to the ARTIST at such time, not to exceed a total of eight (8) hours unless mutually agreed upon by PURCHASER. Stage/technical personnel shall render their services, under ARTIST'S or ARTIST'S representative's direction and control. Such personnel shall render their services as required for set up of stage as well as presentation of show(s) and breaking down of stage at conclusion of the engagement hereunder. D) Accessories: Steps shall be provided leading from the stage to the audience, preferably at center of stage. Prior to show a table on stage with glasses of water shall be provided. E) Risers must be in new or excellent condition and must meet current specifications of the stage plan exactly. Horns, Drums & Tymp must be on Risers.
The Artist's Input List forKING JEREMY
Channel Instrument/Input Mic/D Insert Special Notes 1) Bong set SM91/Beta 52 2) Shakers SM 57 3) Bongo Set SM 51/condenser 4) Conga Set 1 421/SM98 5) Irish Bohran 2 421/SM98 Gate 6) Floor Portable Dance Floor 421/SM98 7) SR Overhead SM/condenser 8) SL OverheadSM/condenser 9) Harmonica or Recorder DI comp 10) Piano Hi AKG414/PCC160 No C-tapes 11) Piano Low AKG414/PCC160 No C-tapes 12) Keys 1 Left DI 13) Keys 1 Right DI 14) Guitar 421/SM57 15) King Jeremy Vocal #1 SM/Beta 58 Wireless Comp Shure UHF 16) Back Up Vocal #2 SM/Beta 58 wireless comp shure UHF 17) Back Up Vocal #3 SM/Beta 58 wireless comp shure UHF 18) Back Up Vocal #4 SM/Beta 58 wireless comp shure UHF 19) Back Up Vocal #5 SM/Beta 58 wireless comp shure UHF 20) Spare wireless #6 SM/Beta 58 wireless comp shure UHF 21) Spare Wired SM/Beta58 22) DDL Return 23) Reverb 1 Left Return 24) Reverb 1 Right Return 25) Reverb 2 Left Return 26) Reverb 2 Right Return 27) CD Playback Left 28) CD Playback Right
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